![]() ![]() One could argue that remix culture has been around as long as the idea of “culture” itself. ![]() The best examples of this kind of creative work are often marked by a reframing of the original narrative, and so produce a fresh perspective on both the source material and the context in which it first existed. If you’re not making art with the intention of having it copied, you’re not really making art for the 21st century.” Networks won’t get slower or harder to access. Hard drives aren’t going to get bulkier, more expensive, or less capacious. He goes on to make the point that “Copying stuff is never, ever going to get any harder than it is today. As Cory Doctorow puts it: the Internet is “the world’s most efficient copying machine.” The news report, the cult TV show, the summer blockbuster, the chart hit or iconic photograph – all are open to endless reinterpretation by anyone with the right software. As with much else, technology has made this process easier and more visible. All cultural artifacts are open to re-appropriation. Jobs freely admitted to being “shameless about stealing great ideas,” and many of today’s bedroom artists might be said to have taken this mantra to heart. Meaningful appropriation remains a key tenet of creativity and innovation, whatever form they take, and Jobs understood this better than most so do those whose natural form of expression is the remix or mash-up.įrom Duchamp to Damien Hirst, artists have consistently challenged the idea that meaning ascribed to objects is permanently fixed. The line “good artists copy great artists steal,” attributed to Pablo Picasso and appropriated by Steve Jobs in a 1995 interview, is in some ways at the core of much of the aesthetic endeavors that engage modern technology. Beauty By Design: The Intersection Of Data And Digital ArtĮditor’s Note: Ben Murray is the editor for The Space, a digital art non-profit organization in the UK and was a former BBC digital editor.10 Art Apps To Inspire Your Inner Creative.Perhaps most importantly, it helps us start down the path from the ridiculous to the radical solution.Ĭlick here to download the 2-page worksheet.Ĭlick here to enroll in "From Ideas to Action" and learn the art of ideating, rapid prototyping, and iterating your way forward. Quick sprints drive creative sessions and avoid burnout. The more ideas you come up with, the better chance you have to reach a truly brilliant solution. STEP 4 - MASH-UP - Combine items from the two lists to ideate as many new products, services or experiences as you can. STEP 3 - GENERATE - Starting with one category at a time, list as many elements of these two experiences you can in two minutes. STEP 2 - NARROW - Pick two broad, unrelated categories, like hospitals and hotels or waiting rooms and schools. STEP 1 - FRAME - Articulate the challenge as a How Might We statement. It’s outlined below, with more detail in the video and worksheets. A Mash-up brings odd or unexpected things together to spark fresh ideas. One of the fastest (and most fun) is called the Mash-up. But there are other methods that can help teams push past the obvious. Once the How Might We statement is defined, teams typically race to generate ideas. For example, in a challenge around improving the patient experience at a hospital, one of our ideation sessions began with “How might we better support patients’ families in the hospital?” It’s critical that a How Might We statement allows for a broad set of solutions, but is narrow enough that we know where to start. We use something we call “How Might We” statements-an optimistic, solutions-oriented starting point. "From Ideas to Action" Course Activity & WorksheetĪny great ideation session begins with a well-framed opportunity. ![]()
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